History of Art Events

Antler & Bone Carving- Haudenosaunee Tools, Ornamentation & Art 11.8.22

Reshaping Circumpolar Art and Histories 10.25.22

The Cyborgs Have Always Been Zombies 10.4.22

Considering a career in paintings conservation 9.20.22

Sensing Borderlands 9.14.22

Nature Conquers Nature 4.19.22

Visualizing Black Feminist Ecologies 4.12.22

Penned by Encounter 3.25.22

The Astronomer’s Milieu 3.15.22

Painting Antiquities in Early Twentieth-century China 2.15.22

Corporate News Pictures at Magnum Photos 10.26.21

Feeling Subjects: Emotion and Affect at the Makli Necropolis 10.19.21

Sites at the Periphery: Making Experimental Art Spaces in Beijing 9.28.21

Aesthetics and Ethics of Return: Trauma, Militarism and Modernities in Southeast Asia 9.21.21

Beyond Burmese Esthetics 9.14.21

X Zhu-Nowell: Myths of the Transaction (feat. Kan Xuan) 5.4.21

Indigenous Interventions at the Metropolitan Museum of Art: Water, Bones, and Bombs 4.27.21

Thinking about Migration through Latinx Art 4.20.21

Cinematic Epistemologies from Within Problem Clusters Of Modernity (Commonly Referred To As Climate Change) 3.30.21

Radical Alternatives: Art & Spatial Politics in Iran 2.16.21

Compelling Issues: Transnational Socialist Aesthetics in Chinese Printmaking 11.10.20

NIRIN and Powerful Objects 10.21.20

Eurasian Silver 9.29.20

From Art to Porn 2.20.20

Lukisan Kaligrafi and the Importance of Becoming "Islamic" 11.12.19

Reframing the model of the male gaze 11.7.19

Digits to Digits 11.6.19

Joshua Vettivelu, Artist Talk 10.22.19

The gift of screws”: material un-making in the Middle Ages 10.10.19

Keywords for Philippine Cinema’s Archival Afterlives 9.26.19

(Un)Masking Authority 5.7.19

"Museum and Nation: Architecture, history and statehood in the United Arab Emirates" 4.9.19

Sam Lewitt lecture 4.15.19

The Masonic Muhammad 3.28.19

Diana Magaloni Kerpel 3.21.19