Salah Hassan

Hassan honored for elevating the study of global modern art

Salah Hassan, Distinguished Professor of Arts and Sciences in Africana Studies, has been elected as the 2021 Distinguished Scholar by the College Art Association for his scholarship and curatorial work, which have been deeply formative in bringing recognition to the study of modern and contemporary African and African diaspora art.

headshots of three professors

Three A&S professors named Milstein Faculty Fellows

Andrew Moisey, assistant professor of history of art and visual studies; Malte Ziewitz, assistant professor of science & technology studies and Tao Leigh Goffe, assistant professor of Africana studies and feminist, gender, & sexuality studies, have been chosen as new Milstein Faculty Fellows in the Milstein Program in Technology & Humanity.

Book Cover, Unpacking, woman's body with wild cats on leashes

Unpacking Europe: Towards a Critical Reading

Iftikhar Dadi Salah M. Hassan

Title:

Unpacking Europe: Towards a Critical Reading

Edited by:

Salah Hassan and Iftikhar Dadi

Publisher:

Museum Boijmans Van Beuningen

Year:

2001

Klarman Hall

Geronimo Cristobal

My research examines the relationship of visual form, material culture, and literary production in Maritime Southeast Asia, with a focus on Islamic art and the networks of Muslim port cities. Drawing on vernacular systems of visuality and belief, I explore how ornament and devotion converged in the material cultures of global Islam. I examine how scale, format, and media specificity shape meaning and representation by integrating close readings of texts and images with research into the historical readers and users of talismanic and nacreous objects—such as pearls, hilts, scrolls, and devotional diagrams—that circulated across the Indian Ocean and the Sulu Sea, and that reappear, often reframed, in early modern European paintings. Drawing on an archipelagic methodology, I approach the sea as a generative matrix through which knowledge and image-worlds circulated and transformed. My research traces the cultural-critical formation of Southeast Asian artists, examining how religious and colonial encounters mediated their artistic subjectivity. Engaging the historiography of Southeast Asian and Islamic art, I foreground syncretic expressions and local epistemologies, attending to how they have both supported and unsettled imperial frameworks.

/geronimo-cristobal
Klarman Hall

Juliana Fagua Arias

Juliana is an art historian and curator of Latin American art and material culture. Her research explores artistic exchange between Asia and the Spanish Americas during the colonial period, with particular attention to the visual and material impact of the Manila Galleon trade. She is especially interested in materiality as a driver of cultural connectivity in the early modern trans-pacific milieu, focusing on the physical, affective, and historical aspects of materials—like silk and camelid fibers, lacquer, feathers, mother of pearl and emeralds—and the ways they interact with their makers, consumers, and environments over time.

/juliana-fagua-arias
Klarman Hall

Jenna Marvin

Jenna's researchfocuses on the history of American photography from the nineteenth century to the present with an emphasis on photography’s overlap with the development of American capitalism and the natural sciences. She is currently working on a project that examines photographs of coal and coal mining.

/jenna-marvin
Klarman Hall

Alice Fung

Alice’s primary research centers on the cultural development of postwar Hong Kong. Her dissertation examines the transmission, reception, reinvention and institutionalization of Western modernism within the Hong Kong context. Specifically, she investigates how European and American modernisms were translated into Hong Kong and subsequently adopted by local intellectuals, artists, and colonial institutions to serve their respective agendas. By exploring the interplay between modernism, colonialism, and globalization, her work makes a contribution to the growing field of global modernism. It also challenges the historiography of modern Chinese art, which predominantly frames postwar Chinese art through a socialist lens.

/alice-fung
Klarman Hall

Eric Goh

Eric Goh is interested in modern and contemporary art that treats the region of Southeast Asia as method for prospecting socially-engaged practices. He is also deeply committed to blurring the boundary between fine art and material culture. Currently his work examines how craft, as an ideological and social tool, is invoked as both a curative and obstructive antithesis to colonial, industrial, and digital modernity within the expanded field of craft-based artistic practices in Malaysia.

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poster for career symposium, all text in body of article, conservator taking a photo of artwork

Considering a career in paintings conservation 9.20.22

History of Art Career Symposium lecture - Matthew Hayes. This informal talk will discuss my career trajectory as a paintings conservator following undergraduate study of art history at Cornell (BA ’99), including recent scholarship and graduate teaching.

poster for Jung Joon Lee talk, all text in body of article

Sensing Borderlands 9.14.22

Jung Joon Lee, "Sensing Borderlands: The DMZ, Camptowns, and the Theater of Repetition," Wednesday September 14, 4:45pm, GSH G22, Findley History of Art Lecture Series

Destroy the Copy book cover

Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries

Annetta Alexandridis

Title:

Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries: Demolition, Defacement, Disposal in Europe and Beyond

Editor:

Edited by: Annetta Alexandridis and Lorenz Winkler-Horaček

Publisher:

De Gruyter

Year:

2022

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